ACES and Workflow for large studio projects
When working on VFX, creativity is not only about solving how to create visuals that match an idea, but also about being a productive and collaborative part of a pipeline with many working parts involved, both in the production and post-production stages. This requires flexibility because different projects will require adapting to different workflows.
For example, when we where invited to work on a NETFLIX show where we were first presented with the ACES workflow, we had to shift some of our processes in order to comply with the requirement of an ACES workflow. At that time, our VFX team didn't really understand the benefit of having color controlled throughout the entire process. So we had to research into it, learn, and upgrade. We created manuals and trained our team and collaborators to work in this environment.
Adaptability has proven to be a key advantage in order to easily fit into new workflows, which has afforded us the privilege of being able to participate in TV shows for large studios. These projects tend to have quick turnaround requirements and therefore benefit from having teams that can adjust and respond better, both technically and creatively. A selection of TV series on which we have collaborated with VFX work include:
Dani Who? | TV Series | 2019 | VIACOM
Home Office | TV Special | 2020 | AMAZON PRIME VIDEO
Oscuro Deseo | TV Series | 2020 | NETFLIX
Luis Miguel: The Series | TV Series | 2021 | NETFLIX
Everything Will Be Fine | TV Series | 2021 | NETFLIX
Las Bravas F.C.| TV Series | 2022 | WARNERMEDIA
La Cabeza de Joaquín Murrieta | TV Series | 2023 | AMAZON PRIME VIDEO
And many more, coming soon…
